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FESTIVALS: LIVE THE LIFE ABUNDANT “ONE GREEN PLANET”

There was a time when I would jokingly respond to the standard question by the host replying, ”No. I am a strict non-vegetarian&rdqu...

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KALEIDOSCOPE: BREATHING LIFE INTO A SONG

Tarali’s musical experiment with Anup Baruah is what Utpal Datta visits this week to explore what it took the singer, ly...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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POLITICS: FLASHBACK TO THE TIMES OF HINDUTVA

The influence of Hindutva politics on democratic and academic institutions in India has raised concerns about the erosion of secularism, threat...

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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR

In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...

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HYPOCRISY AND DOUBLE STANDARDS ARE DESTRUCTIVE

Humra Quraishi elaborates on the double standards of the right-wing government in India, and warns that what is taught in scho...

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BEST INDIAN NEWS NETWORKS OF 2023: SUPRIYA SHRINATE

Amidst the rapid flow of information and the ever-evolving media landscape, the role of news networks has become pivotal in shaping public opin...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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WHO SOLD MY HOMELAND! WHO PAID THE PRICE!

Humra Quraishi addresses the trauma and abuse that children face in a hate-filled and warring world as Children’s Day on...

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WIPING THE DIRT FROM THEIR HANDS AS THEY WALK FROM THE GRAVE

“All that ordinary people across the globe want is peace and dignity, the right to live in their homeland,” writes Humra Qu...

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